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don't miss the donut by looking through the hole
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antz
christian your own words...
connexions
aaron
ada carmen evelyn jc kentkent lala matt pam qingyi sam tessa tim c tim w wacky weian weixin tag me to be linked =p past
December 2007 credits
Layout: vehemency |
Tuesday, January 27, 2009, 02:52
caffienated...
i made that stupid mistake. again. Monday, January 26, 2009, 11:55
home...
home. Saturday, January 24, 2009, 21:31
confused..
which is the right one? Thursday, January 22, 2009, 23:16
study? what?
here i am again, wasting time on the computer. got loadsa work to do, and yet for some reason, i feel no inclination to do anything about it, save for a slight nagging feeling that is easily overcome by the call of the bed. 21:55
hurhur....
_ Wednesday, January 21, 2009, 12:42
dreaming
there was a time, Sunday, January 18, 2009, 20:18
insync...
Acapella. Rocked. _________________ THE YOUNG PERSON'S GUIDE TO THE SATB CHOIR In any chorus, there are four voice parts: soprano, alto, tenor, and bass. Sometimes these are divided into first and second within each part, prompting endless jokes about first and second basses. There are also various other parts such as baritone, countertenor, contralto, mezzo soprano, etc., but these are mostly used by people who are either soloists, or belong to some excessively hotshot classical a cappella group (this applies especially to countertenors), or are trying to make excuses for not really fitting into any of the regular voice parts, so we will ignore them for now. Each voice part sings in a different range, and each one has a very different personality. You may ask, "Why should singing different notes make people act differently?", and indeed this is a mysterious question and has not been adequately studied, especially since scientists who study musicians tend to be musicians themselves and have all the peculiar complexes that go with being tenors, french horn players, timpanists, or whatever. However, this is beside the point; the fact remains that the four voice parts can be easily distinguished, and I will now explain how. THE SOPRANOS are the ones who sing the highest, and because of this they think they rule the world. They have longer hair, fancier jewelry, and swishier skirts than anyone else, and they consider themselves insulted if they are not allowed to go at least to a high F in every movement of any given piece. When they reach the high notes, they hold them for at least half again as long as the composer and/or conductor requires, and then complain that their throats are killing them and that the composer and conductor are sadists. Sopranos have varied attitudes toward the other sections of the chorus, though they consider all of them inferior. Altos are to sopranos rather like second violins to first violins - nice to harmonize with, but not really necessary. All sopranos have a secret feeling that the altos could drop out and the piece would sound essentially the same, and they don't understand why anybody would sing in that range in the first place - it's so boring. Tenors, on the other hand, can be very nice to have around; besides their flirtation possibilities (it is a well-known fact that sopranos never flirt with basses), sopranos like to sing duets with tenors because all the tenors are doing is working very hard to sing in a low-to-medium soprano range, while the sopranos are up there in the stratosphere showing off. To sopranos, basses are the scum of the earth - they sing too damn loud, are useless to tune to because they're down in that low, low range - and there has to be something wrong with anyone who sings in the F clef, anyway. THE ALTOS are the salt of the earth - in their opinion, at least. Altos are unassuming people, who would wear jeans to concerts if they were allowed to. Altos are in a unique position in the chorus in that they are unable to complain about having to sing either very high or very low, and they know that all the other sections think their parts are pitifully easy. But the altos know otherwise. They know that while the sopranos are screeching away on a high A, they are being forced to sing elaborate passages full of sharps and flats and tricks of rhythm, and nobody is noticing because the sopranos are singing too loud (and the basses usually are too). Altos get a deep, secret pleasure out of conspiring together to tune the sopranos flat. Altos have an innate distrust of tenors, because the tenors sing in almost the same range and think they sound better. They like the basses, and enjoy singing duets with them - the basses just sound like a rumble anyway, and it's the only time the altos can really be heard. Altos' other complaint is that there are always too many of them and so they never get to sing really loud. THE TENORS are spoiled. That's all there is to it. For one thing, there are never enough of them, and choir directors would rather sell their souls than let a halfway decent tenor quit, while they're always ready to unload a few altos at half price. And then, for some reason, the few tenors there are are always really good - it's one of those annoying facts of life.. So it's no wonder that tenors always get swollen heads - after all, who else can make sopranos swoon? The one thing that can make tenors insecure is the accusation (usually by the basses) that anyone singing that high couldn't possibly be a real man.. In their usual perverse fashion, the tenors never acknowledge this, but just complain louder about the composer being a sadist and making them sing so damn high. Tenors have a love-hate relationship with the conductor, too, because the conductor is always telling them to sing louder because there are so few of them. No conductor in recorded history has ever asked for less tenor in a forte passage. Tenors feel threatened in some way by all the other sections - the sopranos because they can hit those incredibly high notes; the altos because they have no trouble singing the notes the tenors kill themselves for; and the basses because, although they can't sing anything above an E, they sing it loud enough to drown the tenors out. Of course, the tenors would rather die than admit any of this. It is a little-known fact that tenors move their eyebrows more than anyone else while singing. THE BASSES sing the lowest of anybody. This basically explains everything. They are stolid, dependable people, and have more facial hair than anybody else. The basses feel perpetually unappreciated, but they have a deep conviction that they are actually the most important part (a view endorsed by musicologists, but certainly not by sopranos or tenors), despite the fact that they have the most boring part of anybody and often sing the same note (or in endless fifths) for an entire page. They compensate for this by singing as loudly as they can get away with - most basses are tuba players at heart. Basses are the only section that can regularly complain about how low their part is, and they make horrible faces when trying to hit very low notes. Basses are charitable people, but their charity does not extend so far as tenors, whom they consider effete poseurs. Basses hate tuning the tenors more than almost anything else. Basses like altos - except when they have duets and the altos get the good part. As for the sopranos, they are simply in an alternate universe which the basses don't understand at all. They can't imagine why anybody would ever want to sing that high and sound that bad when they make mistakes. When a bass makes a mistake, the other three parts will cover him, and he can continue on his merry way, knowing that sometime, somehow, he will end up at the root of the chord. Wednesday, January 14, 2009, 23:35
fare thee well?
i finally applied to INSTEP... put ESSEC as my first choice since didn't seem to have much chance for the other two in my selection, schulich and queen's. wonder where i'll get to... it'll be nice to go on exchange, though i'm kinda also fine with staying in singapore. no one likes change. apparently they choose applicants by gpa, and thanks to accounting itself, mine isn't exactly such a pretty picture. decent, but would have been better if not for the disappointment. also got no idea why i've no inclination to study. 12 years of education has taught me that you mug till you go arse-less (to borrow a phrase from chinkers) and then after the exam that follows, you get more than enough time to go grow that arse back again. not so in uni. humans are creatures of habit. perhaps this habit is so ingrained that i've no idea it exists but yet it still manifests itself. i do really want to do better this semester though... Thursday, January 8, 2009, 20:57
Love Song for Singapore
here's a song to share with all you patriotic souls out there... it really tugs at the heartstrings, the essence and experiences we can all easily associate with... view it, or rather, listen to it (from mrbrownshow.com) here or download it here (from mrbrownshow.com) love song for singapore ———————————- Written, composed and performed by Lee Kin Mun, Marc Nair and Ivan Nair From mrbrownshow.com The trains they come and go Filled with faces I don’t know Sometimes they don’t stop for me I live near Woodleigh MRT The city’s changing every day I saw a new gantry on the way That is why I sold my car Why the bus-stop so damn far You took so much from me Got no cash to take taxi But I’m still in love with you But I’m still in love with you (And) when I grow old, and don’t do what I’m told I will still be in love with you I can’t afford a holiday Everything has gone up but my pay Can’t go out with all my friends Can’t afford the latest fashion pants You promised me paradise Overflowing with abundant rice I used to go for lunch buffets Now my breakfast’s half a you char kuey You took so much from me Got no cash to go high-tea But I’m still in love with you But I’m still in love with you And when I grow old, and don’t do what I’m told I will still be in love with you Tuesday, January 6, 2009, 23:10
birthday beckonings...
i know a certain big day is coming up, but one 'present' i really didn't expect was a flu. if i find out who thought i was too hot and needed to be cool, i'm so going to make you so hot you'd be freezing! anyway, met up with the so@nbs peeps tonight, or at least some of them who turned up and it was kinda interesting catching up, and more interesting that i actually know someone with a gpa of 5.0! muggers beware man... i'm so going to outdo you and get a six point oh. if only i can get rid of this flu first. tomorrow's sorta a day of reckoning. should i join cf as a full fledged member? Monday, January 5, 2009, 23:07
back again...
well it's back to school again and i can't say it's been extremely exciting.. imagine having to take a sub you took before and used to like but had to suffer through. coupled with another sub whose lecturer you can't stand cz he's so irritating (appreciate the effort though). dosen't help that that dude's my tutor too... i've no idea what's to be expected for the rest but i heard one of the other lecturers that i'm going to have has an accent so thick you need a codebook to decipher it... i want to escape overseas, perhaps to canada, or france or the uk for exchange, and at least s/u some of my cores (preferably the harder ones) and get a long holiday or something. the singapore system's really too paper orientated, taking away the fun in education, something essential in the incultation of self-motivation towards a better future. i sound like i'm spewing something moe would say... hurhur... Saturday, January 3, 2009, 03:30
quoteback
i keep forgetting an quote that influenced me quite a bit... Friday, January 2, 2009, 11:11
vtec!
i reallyreallyreally want an EG5 3M... lol... it's cheap too! Thursday, January 1, 2009, 20:15
newness...
the new year has come and i must say it has been an eventful 2008. perhaps the coming year will be the same. in short, i slacked off the first half and got messed over by my major the second. there were really meaningful activities interspaced within the mundane though, like church camp, youth camp, the 21st parties i attended, teaching at fairfield, times with CG (kbox!hahaha), meeting up with old friends, france, shanghai... it's quite interesting to note though that most of the best times this year are spent with church people... yay them! =) last night was great too, having the party at foofoo's with all that guitar hero and stuff... two important things i learnt there: that spinning chair thing still causes me to be unable to walk straight, and that it's quite uncomfortable to sleep under a bed. more on the personal side, a few days ago i was asked some questions that really got my mind thinking a bit more, about why i haven't been thinking about what really should matter and other things. one question was so randomly unexpected that i couldn't even give a straight honest answer, one that i was yearning to give (save slightly for the circumstances), but couldn't because the security mechanisms had cropped up so badly. if you know me, i almost never talk to anyone about that latter issue in question, when it concerns me. sigh. et quand je passais les jours suivants en essaye de le rectifier, j'ai trouve que je n'ai pas du cran de le faire. je t'aime. aussi. pourquoi? parce que c'est comme ca. |